Lantern Shark Productions
A detailed journey in understanding what it takes to produce a good film. My goal when it comes to studying and producing films is to explore the make-up behind films and for my creations to reflect my ambitions. To concoct something worth mulling over in discussion and to devise something that spurs change in one’s perception of the world.
Friday, April 5, 2024
Final Cut
Thursday, April 4, 2024
CCR - Question 4
How did you integrate technologies – software, hardware and online – in this project?
A how-to social media graphic creation detailing the technologies used in the film!
Wednesday, April 3, 2024
CCR - Question 3
How did your production skills develop throughout this project?
Monday, April 1, 2024
CCR - Question 2
How does your product engage with audiences and how would it be distributed as a real media text?
Sunday, March 31, 2024
CCR - Question 1
How does your product use or challenge conventions and how does it represent social groups or issues?
Monday, March 25, 2024
Tonal Montage
The Argument Sequence
For the ending of this film opening, I wanted to expand my editing style meaningfully by incorporating tonal montage; combining shots based on the emotional reaction expected to be triggered in the audience.
Contrasting flashback scenes edited using the tonal montage theory for audiences to draw assumptions from.
To do this, I raised the clip's volume itself and isolated the character's voices more using Adobe Premiere Rush's sound tools (reduce echo and enhance pitch features). Additionally, the argument was trimmed in this sequence just as it started to intrigue the audience before showing how it plays out later in the film, connecting the idea that this may have been the last conversation they had.
Cutting the argument here and then straight cutting it to Pam tearing up in this one shot close up, combines the meaning taken from the sequence presented to the audience as post traumatic stress reminiscing even further.
Sunday, March 24, 2024
Film Titling
Adding the Title
Placing the title in a way that blends smoothly into the film was a bit of a struggle. I felt as though every placement of the title seemed unnatural and took away from the importance of a scene.
Credits Placement
Saturday, March 23, 2024
Transitions & Enhancing Edits Through Sound
Strengthening Transitions
As this is only an opening for what would be a full film, I decided with my director that the transitions between scenes would rely solely on straight cuts. Beautiful Boy, 2018, was one of the films I took inspiration from during pre-production research because of its shared area of representation issue chosen and in its opening, straight cuts were dominantly used. The effect this had on me as the audience is that it felt less like a movie I am just watching and more so a movie I am feeling in its entirety as almost a personal watch and experience.
Visually direct transitions such as dissolve, fade to white/black, wipe, etc, would have taken away from the emotional significance of the scenes. Straight cuts that appear continuous personalize what is happening in the opening, bridging the audience to the events as though they are experiencing it firsthand alongside the characters.
This impression stayed in mind throughout my editing process and was a meaningful decision in how transitions were done between scenes. Knowing that straight cuts were being used, other elements such as graphic relation matching and enhancing these edits through sound helped to smooth transitions.
The opening scene of our film, Intertwined, utilizes a digital camera that has a VHS aesthetic to it. Straight cutting this to the following scene was initially a struggle because of the harsh graphic contrast between the colors and quality change. But with some revision, adding a VHS 'border' of the recording timestamp and date helped to establish that this beginning is on an older camera to resemble a home video.
Furthermore, a pause button was added using Picsart animation features to smooth and increase the understanding that this lower quality video was being watched by Pam herself on the laptop. Since then, I have added a low pitched, but notable computer clicking noise at the time of the pause button on screen. I recorded myself clicking on the same computer and balanced the sound on Adobe Premiere Rush. The sound here adds realism to the video being watched by Pam on her computer, connecting it better to the next scene despite the graphic relation discontinuity, the scene is able to continue using these techniques and considerations.
Thursday, March 21, 2024
The Tinnitus Effect
Sound Progression
It was decided in pre-production that the film would imitate a 'tinnitus effect' to reflect Pam's post traumatic stress involving the late passing of her best friend. With each memory she ponders back to of Abby, the ringing begins to develop the sense that she is dissociating.Monday, March 18, 2024
Editing Revisions
First Screening Feedback
- Add a time and date to the home video in order to signify it further as a video being played.
- Reverse the scene to make it look as though it had been rewinded or 'glitched.'
- Add a pause 'button' on the frozen ending of scene 1 to indicate the video was paused on Abby's face, developing the nostalgic craving Pam is experiencing by holding onto clips of her late friend and clarifying the use of a computer in the following scene.
- Possible music playing distantly.
Application of Feedback
- I decided to add a title in scene 1 with white, bolded and slightly spaced out letters to make up for the title's short screen time. The insertion of the title being in the home video correlates with the meaning behind the title we intended; 'Intertwined' representing the close-knit connection the girl's share in which Pam eventually inhibits her friend's addiction issues that would be seen in the film had it went on.
- Applying the suggestion from my peers, I used Inshot to create a date and time stamp on scene 1 without changing the quality of the film itself. It allows for the home video vibe we were trying to come across stronger with the stereotyped look of a VHS camera.
- I trimmed the first scene to end when Abby looks into the camera to increase tension of the moment and used CapCut's frozen feature to hold on the expression to assimilate pausing of the video, as well as brightened the lighting using their color grading preset templates so her face is more visible.
- Added a pause button in which I overlayed and added a pop up transition for it to look more natural using PicsArt's animation feature. This also smoothed the harsh graphic relation transition that scene 1 and 2 had in between camera quality and lighting considerations.
Adding Improvements Experience
Sunday, March 17, 2024
Dimensions of Film Editing
Kuleshov Effect, Continuity Rhythmic Relations, and Temporal Editing
From before we began production, I knew temporal editing was going to be my main editing style in this two minute opening. This is because this kind of editing allows audience's perception of the time period in which the film is presented to be manipulated. Our film involves a lot of reminiscing periods, so it was a must!
In the first drafts, I had executed this kind of editing by focusing on the appearance of the clips themselves to contrast with one another. Hence, scene 1's digital camera warmth versus the Canon Rebel t51's clarity with color grading applied to bring out colder tones. However, my editing goal shifted to wanting to make straight cuts or transitions between the scenes in general more intentional with the Kuleshov effect. This effect was briefly explored in preliminary research under investigation of Walter Murch's editing theory.
Walter Murch's editing theory in the sector I explored focused on conveying emotion through the shot duration length/pace of editing. This was utilized in the way long takes are left alone in my film at first to build tension before various short length takes are cut faster in between long takes to convey that the strong emotions are breaking through.
However, the Kuleshov effect adds emphasis to the connection the audience will make to several different takes, instead of one on its own. I tried this here:
A 'pause' button added over scene 1's ending to introduce Pam's character and clarify the purpose of the laptop, as this previously confused audiences.
Short lengths of Pam seemingly 'zoning out' or dissociating (rhythmic relation) add to the development of her character being extremely detached because we barely see her stay focused in the present so far in this opening. She is not fully aware in her surroundings because of the grief she is experiencing from losing her best friend and the editing in all of these scenes combine together in meaning to convey that!
Saturday, March 16, 2024
The Two Minute Mark
Extending Narrative with Editing in Mind
When a draft of the film was created, the duration was over five minutes. But, as editing the film became tighter and tighter cuts to create continuity, I realized there was still a lot of scenes still needed to reach the two minute film requirement. My film partner and I decided to extend the narrative out more (adding scenes) according to the vision we established the film would take if it was longer; Pam living her life after her friend's death and falling into similar bad habits.
The added scenes were analyzed through an editing perspective as I wanted to ensure that the duration of shots were compatible with the goal of having a two minute film and gave me a variety of options to implement different editing styles on.
Some included were:
The scene of the flowers that were straight cut to Pam tying her shoes on a couch.
The vase filled with white flowers with black and white paintings in the back have colors associated with funerals and the 'yin and yang' meaning of light and darkness in the world, representing the kinds of personalities/mental state each girl in the friendship had. I requested this shot so that there could be a break in editing to the different characters as a 'filler' with meaning nonetheless, in the case of seconds or editing break transitions needed.
Additionally, the tying shoes scene's has the ability to create multiple possibilities for the film that I could manipulate different outcomes if necessary for. It can be perceived as her ready to attend the funeral, but can also look like she is taking off the shoes because the funeral has ended. The neutrality of the scene expands the use it could have for breaks to flashback temporal relation editing.
Pam and Abby laughing and spending time together.
All of these scenes were developed with consideration to how long the shot would be so that the two minute film opening could be created and edited successfully, as well as serve as transition scenes that could utilize temporal relation editing to manipulate time and gently prod the attention of the audience to the intended vision as editor.
External Diegetic Sound
Sound Implementation
Due to some takes being filmed under the expectation of me adding a voiceover in later, the sound in the film needed work quickly. Scene 2, where Pam's mother walks in and hints that she needs to go to the funeral now, was attempted the first time with a voiceover done on my phone. I recorded voice in a video format close to the voice of the actress doing the voiceover speech. This resulted in the sound's direction in the film to sound misplaced, as it was supposed to come from the direction of the door but instead sounded on top of the film itself (external diegetic sound).
Having looked over the take and given my limited amount of resources, I reverted to using the Voice Memo application Apple devices have. This allows the sound to be at a higher quality. To change the direction of sound, I had my voice actress play out the scene as it happens visually including; the door opening, the mother speaking to Pam, and the exit of the door closing and walking away steps. I recorded from the bed where Pam originally sits in the scene, figuring that the direction of sound would sound better suited to the scene once added if it is from that area away from where the camera during filming was.
Friday, March 8, 2024
Rough Cut Evaluation
Discussing Pickups
Once a draft was completed from what we had filmed so far, I uploaded it to Google Drive to share it with my film partner without changes in quality effecting the rough cut. We decided to watch it individually and make notes of what we thought would improve the film or needed to be changed before sharing it with one another and later exchanged them.
She agreed with me that scene 1's lighting was too dark. Ultimately, no editing I was able to do could make it look brighter or cinematically intended for meaning. It simply looked like bad lighting and lack of clear narrative, as you could not see the makeup on the actress playing Abby, who is supposed to portray a girl suffering from drug addiction.
Sound Design Reflection
Planning a Resolution
After this scene, the sound should then transfer to very quiet, almost white noise sound to convey the emptiness Pam feels in her grief and pick up again with music that fades in slowly, becoming full volume when Pam is staring at her reflection, synced memories to the beat.
As this was a rough cut, I was well aware of what needed work involving the sound, as it was intended to be a guideline for what the film would sound like. However, my biggest concern as editor was that the film was too short. Altogether, this rough cut averaged a little over a minute and my goal was to get it very close to 2 minutes so that this opening would incorporate as much of our skills and lessons learned as possible, so the addition of new scenes for Pam to 'think back on' along with inputting the revisions my film partner and I decided on should bring us closer to a final cut we can both be proud of.
Thursday, March 7, 2024
Creating a Draft
Editing Session Goals
While reviewing all final takes, it was time to edit them as concisely as possible with added effects discussed in pre-production to see where we were at with the film. There were two main goals I had as editor in making a draft; 1) Make transitions between scenes seamless and coherent and 2) Reduce the number of long takes meaningfully.
Scene 2, where Pam is seen snapping back into reality after watching a video of her best friend, is supposed to be followed by scene 3. This scene is when Pam throws her tissues in the trash can, so that the camera can focus on what is in the trash; papers with text on them and tissues, which is later clarified as the failed attempts at writing a eulogy speech that is seen finalized in scene 4.
During filming, I suggested we have Pam begin to throw the tissues out in scene 2 and 'finish' throwing them out in scene 3 so that I could edit the scenes together using continuity editing techniques that would make the sequence transition smooth.
Pre-Production Application
Wednesday, March 6, 2024
Final Takes & Trimming to Perfection
Choosing the Best Takes
Having developed my own set of considerations when sifting through takes, I still wanted to broaden the take standards according to what film editors say they follow the structure of. In an article published by Linked In, I focused on the first 3 points the editors on the site listed as helpful.
Final Take Consideration Examples & Changes
Tuesday, March 5, 2024
Sorting Takes
Monday, March 4, 2024
And So the Editing Process Begins
Transferring Film
After each production day, I transferred the film from both the Nikon Coolpix s3700 and Canon Rebel by taking out the SD cards, inserting it into an SD card reader, and connecting it to the device intended to receive the files: my laptop. Due to the Nikon Coolpix being an older model, its files end in an AVI format, which is not supported by most modern devices. The sound was jagged, cutting out randomly when played on my MacBook and even my phone, but was clear and coherent on the camera preview screen.
Wednesday, February 28, 2024
All Quiet on Set!
On our second day of filming, the priority was to complete the rest of the film's scenes. Because we had extensively planned out the scenes with one another, my cinematographer/director and I were able to shoot efficiently and with ease. The main issue I anticipated would come from the filming sessions was the sound and transition from the first scene to these scenes.
Scene 2's addition of Pam throwing out a tissue was suggested as a way for me to incorporate editing techniques I learned and strengthen the impression the audience has of Pam's mental state. In pre-production, we finalized the idea of having a close-up of Pam's trash can, in which failed attempts at her eulogy speech can be seen crumbled inside.
However, there was never a specific way we would cut to this shot that flowed, and in production from my previous film, so having Pam place a tissue in the trash can which I would then edit as a straight cutaway to the trash can close up, would tie several connections of the scene in one. Therefore, my film partner and I began making props that would help achieve this effect and make a point of the representation issue we intended to portray.
The teal necklace that the actress who played Abby was wearing in scene 1 is also sitting on the paper and is picked up with hesitation by Pam before going to put it on. This draws a further connection between them, as does the title of the paper which refers to Abby as her best friend in the past tense of remembrance.
As far as audio considerations go, this may be where some kind of slow, sad music starts to play, but at a low volume enough for the diegetic sound in the film to still be heard as the silence is unsettling when quieted and isolated using Adobe Premiere Rush.
Additionally, these prop creations added scenes that developed semiotic signifiers that visually provide signs for the audience to piece together. In scene 1, Abby fidgets with her necklace as the camera drops below her eyes, conveying guilt. The necklace being placed on the eulogy speech, off of Abby, and now in Pam's hands signifies that the owner is no longer here to wear it. People who suffer from grief are left with the belongings of their loved ones and an empty, nostalgic feeling when around those objects which is also why the hesitation and straight cuts between these areas around the room will accentuate this representation.
Overall, I learned the importance of visualizing how scenes will go together before even reviewing the footage in post-production on this filming day. This is so problems with the shots can be addressed ahead of time and fewer pick-ups, if any, will occur. I was able to contribute well-thought-out ideas through my role(s) that proved to change the quality of our film and the editing and sound design process significantly!
Reviewing Production Progress
Input as Editor and Sound Designer on Set
Final Cut
The final cut of our film Intertwined! Change quality to 2160p 4k for best viewing purposes. Acknowledged music source: Lvl by Asap Rocky.

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1) Still image from The Walking Dead , 2010, demonstrating "The Rule of Thirds." This still image from The Walking Dead shows Neg...
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Strengthening Transitions As this is only an opening for what would be a full film, I decided with my director that the transitions between ...